![]() ![]() The time of the recording almost entirely deserted due Of the buildings standing in the centre of The Hague.Ī part of the city usually crowded with people, but at Taken place in an abandoned attic of a space inside one Lives is dependant on each work and its circumstances.Įmpty Spaces is a performative experiment that has Physical release or any other manifestation of their later The form of later distribution, public performing, Via the contemporary streaming services for music, such as One aspect, namely they are distributed first and foremost It is a space for endless experimentation,Īcceptable of any result and open for any expectation.Īll the works of the Obscure Objects Ensemble share Institutionalisation, distribution an accessibility of said Sound, noise, music and all the different aspects of ![]() Open and universal way of approaching and understanding Space and way of working towards an in-depth, more Project of mine, the goal of which is to create a new Obscure Objects Ensemble is a long-term research And when we have to let a part of ourselves go, resulting in an allegorical death. When our old worldview is replaced by the next. Passing through this journey I aim to show people the universal experience of the cognitive dissonance experienced when our beliefs turn out to be untrue. Experiencing the stages, from naïve to knowing, from ignorance to wisdom and from devastation to transcendance. With this sonic and luminous installation I invite people into a passage from birth to adulthood. It's important to mention that in our society talking about depression is hard for a variety of reasons: words can not fully express the scope of the actual experience, not to mention that the subject has become stigmatized, but most of all those who have not experienced this the state of "colorlessness" find it difficult to relate. ![]() It portrays a message about depression which in modern times is hard to communicate. It draws on the after effects of a burnout, and is developed with newly acquired tecnhiques of sound and light. Passage is a culmination of past and present experience. Works of students of the various departments of the Royal Academy of Fine Art in The Hague have been investigating questions like: how does colour sound? What does my room has to say? How do intimacy and friction sound? What is the sound of darkness? How to communicate with a thinking forest? Quote from 'Meeting the Universe Halfway' by Karen Barad “Human” bodies are not inherently different from “non-human” ones. Bodies are not objects with inherent boundaries and properties they are material-discursive phenomena. This is true not only of the surface or contours of the body but also of the body in the fullness of its physicality, including the very “atoms” of its being. “All bodies, not merely “human” bodies, come to matter through the world’s iterative intra-activity its performativity. Justin Grooten, Kim Minji, Channa Boon, Elena Khurtova, Anne-Florence Neveu, Anne-Florence Neveu, Jeroen Meijer, Jeremi Biziuk. Sources of inspiration are the New Materialist philosophy (Donna Haraway, Karen Barad, Ursula Le Guin) The students have been investigating questions like: how does colour sound? What does my room has to say? How do intimacy and friction sound? What is the sound of darkness? How to communicate with a thinking forest? It has lead up to a final presentation here on the Research Catalogue. ‘Investigating through making’ is at the core of the course 'Potentiality of Sound in Matter', that is produced and guided by Channa Boon and Elena Khurtova, for all departments of the Royal Academy in The Hague. “ quote from 'Meeting the Universe Halfway' by Karen Barad ![]()
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